Researchers report the first documented case of tool use in cattle, based on a Swiss Brown cow named Veronika who doesn’t just grab an object and rub it against herself.
She chooses the “right” part of a tool for the job, changes her technique depending on where she’s scratching, and repeats those choices in a way that looks consistent and intentional.
Hey ding-dongs, let’s have a chit-chat about Ablaut reduplication.
If you have three words, the order usually goes 'I-A-O.' -tic-tac-toe
If there are only two words, ‘I’ is the first and the second is either ‘A’ or ‘O.’ -click-clack -King-Kong
I can think of a few exceptions, like "bone-dry," and more rhymes like "helter-skelter." Some like "merry-go-round" seem to follow a similar high to low pattern.
Today I made Crockpot Xawaash Chicken Stew. I added some chopped cherry tomatoes. They worked pretty well, but didn't cook very evenly.
I also made Sour Cream Biscuits. We had sour cream left over from a previous recipe. Honestly, I thought these were a failure because they didn't fluff up at all. The texture is more like a dumpling than a biscuit. But they have a great sour cream flavor, and they worked quite well with the stew. If you have spare sour cream, it's worth a try.
CHOOSE SOMETHING YOU LOVE AND CREATE A MINI MOOD COLLECTION OF THREE (or more) ITEMS THAT EVOKE YOUR FEELINGS ABOUT IT. You don’t have to limit yourself to visual media, or collect the items into a special format like a square (though you can if you’d like).
I’ve seen other people put together visual moodboards – assembling colors, stock photos, character stills, and other images that go together and evoke the feeling of that fandom (or story, or character). I’m not that good with visuals, so I’ll often put together playlists, or song quotes, or some mix of all of the above.
I love freeform challenges that let you choose how you want to respond, so I hope you’ll like this one! (And if you’d like a bit more direction, I have some suggestions later in this post.)
Tiny plastic coatings from farm fertilizers are quietly reshaping the mystery of “missing plastics” in the ocean.
Plastic-coated fertilizers used on farms are emerging as a major but hidden source of ocean microplastics. A new study found that only a tiny fraction reaches beaches through rivers, while direct drainage from fields to the sea sends far more plastic back onto shore. Once there, waves and tides briefly trap the particles on beaches before many vanish again. This helps explain why so much plastic pollution seems to disappear after reaching the ocean.
That sounds like another problem that could be reduced with a ban on using plastic to make microbeads.
Today we ordered seeds from OPN Seed. This completes my goal of making at least 2 catalog orders by the end of February. I still have more catalogs to go through, but I got two of the most important done. \o/
Artists of Destruction, Coracle Shores, Crystal Wood, Strike of the Thunderbirds, and The Wandering are all up on the Serial Poetry page. These are all small series with just a few poems, but they can grow if readers like them enough to prompt for more. Big thanks to fuzzyred for posting these.
The authors are clear that their framework is a foundation, not a finish line. It explains a big, stubborn piece of the puzzle – the coupling of CO2 gain to water loss – and does so at the leaf-to-tree scale where decisions are made.
The next challenge is scaling those decisions up into regional and global climate models without smoothing away the very dynamics that matter.
This is the freebie for today's crowdfunding Creative Jam. It was inspired by a prompt from fuzzyred. It also fills the "body and soul" square in my 1-1-26 card for the Public Domain Day Bingo fest.