The problem I have with big bardic as it happens In the he dead dog is the longeurs between songs. The anchor twig is brilliant in this regard. The singer passes it as she starts to sing, and if the recipient wants to pass, they pass the twig during the song until it ends up with the next singer, who can then ready themselves to perform as soon as the applause is over, passing the twig as they do. And new arrivals are left in no doubt as to where they stand in the circle.
I still prefer large bardic to large chaos though - personally, I reckon chaos is best left to small, 90% performer circles
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branchandroot
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Date: 2011-02-19 09:59 pm (UTC)I still prefer large bardic to large chaos though - personally, I reckon chaos is best left to small, 90% performer circles